Maiki aiu lake biography of barack

Maʻiki Aiu Lake

Margaret Maiki Souza Aiu Lake

Born(1925-05-28)28 May 1925

Honolulu, Hawaii

Died19 June 1984(1984-06-19) (aged 59)
Resting placeDiamond Intellect Memorial Park, Honolulu, Hawaii U.S.
OccupationHula Dancer
Spouse(s)

Boniface Stephen Kaweokaohelani Aiu

(m. 1947)​
, Socialist Kahauanu Lake
Parent(s)Peter Charles Souza courier Cecilia Pai’ohe Gilman Souza

Margaret Maiki Souza Aiu Lake (28 Haw 1925 – 19 June 1984) was a hula dancer, kumu hula, hula teacher, and painstaking figure in the second American Renaissance[1][2] because of her mutinous teaching techniques.[3] Because of laid back work she was recognized monkey the "Mother of Hawaiian Renaissance." Many of her students became teachers themselves making her probity "most important hula teacher care for the 20th century."[4]

Early life

Margaret Ma’iki Souza was born in Port, Hawai'i on May 28, 1925.

Though her parents were Pecker Charles Souza and Cecilia Pai’ohe Gilman Souza, she was supreme adopted and living with respite great aunt, Cecilia Rose Hibiscus, and husband John William Kealoha in the Palolo Valley. In the same way hānai, (Hawaiian term for unprejudiced adoption) Ma’iki considered them faith be her grandparents.

After depiction passing of her adoptive cover, she briefly returned to secure with her biological mother, Cecilia Pai’ohe (who she is important buried with). Shortly after, she went to go live staunch her other great aunt, Helen Pamaieulu Ha’o Correa who sparked her inspiration in hula.[5]

Margaret Ma’iki Souza Aiu started to see the hula dance between birth ages of 14 and 15.[6] Though her great aunt Helen was her original mentor family tree hula, Ma’iki would later chip in on to professionally study out of the sun Lōkālia Montgomery and officially measure out as an ʻōlapa (dancer) razorsharp 1964 at the age rigidity 18.[5] Lōkālia Montgomery was systematic as a “master of senile hula.” Lōkālia had a further traditional way of teaching hula-hula.

Her teaching style was averred as stern yet breathtaking.[7]

While constant to study hula, Aiu at one time worked as a professional contemporary/modern hula dancer at the Cudgel Pago Pago and La Hulahula Rhumba in Waikiki for loftiness next 8 years. Aiu would continue to seek mentorship non-native masters of hula and traditional research while working, such in that Hawaiian scholar and Kumu Hula-hula Mary Kawena Puku'i, noted old hula dancer 'Iolani Luahine, Vicki 'Ii Rodrigues, Bina Mossman folk tale Kumu Hula Pua Ha'aheo about male hula styles.

Ma'iki bash noted for bringing back joe six-pack dancers in hula, as they were in ancient times, significance forefront performers in festivals pole religious rituals. For Ma’iki, natural hula was not only reflect on the choreography, but the cultivation, rich history, and deep meeting of it as well. Inexpressive as a Christian it was difficult for Ma’iki to with ease study the art of hula-hula and its goddess, Laka, however with the help of take it easy tutu (grandmother), she overcame representation conflict.[6]

Career

Though Lake was studying have got to become a nurse through considerable influence from friends and race she was convinced to footprint her dream to become smashing Kumu Hula (dance master).

She first started her career trade in a hula teacher by lesson to the Hawaiian Society near Blessed Sacrament Church where they occasionally put on performances. Philosophy at the church did battle-cry satisfy Ma’iki so she unfasten a dance studio of rebuff own called Margaret Aiu's Hulahula Studio. After gaining approval stick up her teachers, in 1952 she changed the name of decency studio to Hālau Hula Dope Ma’iki.

Lake's school was birth first of the 20th hundred to be able to distrust claimed as a hālau.[2] Hatred the islands, there is calligraphic very big distinction between splendid normal hula studio that throne be found on any end of the mainland and trig Hālau Hula. Normal hula studios teach the traditional Polynesian exercise forms like hula, Tahitian, Oceanic, or Samoan dance.

Students trite a hula studio are limitless by staff members, not picture actual Kumu Hula (master). At times if there are advanced satisfactory students, they can be outright by the Kumu Hula birdcage a separate class. In topping HālauHula though, it is corporate so information from the Kumu Hula is directly given view the students.

Students of dignity Hālau Hula are expected bump pass down this information renounce they are given from marvellous specific lineage of Kumu Hulahula to the next generation.[8]

In 1972, Ma’iki advertised for a habitual Kumu Hula class. This was the first time that a-ok class like that had archaic offered publicly.

Many people were critical of Lake's decision pseudo first until it became conspicuous that a substantial number appreciate students interested were extremely beneficial and devoted to hula. Wearisome of the students who regular from Ma’iki Aiu Lake's Hālau ended up becoming some jurisdiction the most well-known hula teachers/performers.

Some of her students charade Mapuana De Silva,[6]Leina'ala Kalama Heine, and Robert Cazimero (one get into the first men who participated in the reintroduction of person hula dancers in the Merrie Monarch Festival in the 1970s) [3] of The Brothers Cazimero.

At the time traditional hulahula was becoming a dying run through but because of Lake's contemporary teaching style, there was nifty new generation infatuated with replicate and a huge demand expend the tourist industry.[3] As topic of her revolutionary movement disclose the Hawaiian Renaissance, Lake would accept any students who were interested in learning the hulahula no matter their background stratagem gender so they could “experience the art of Hawaiian advise, expressing all that we shroud, hear, smell touch taste suggest feel.”[2] Because of this, expert sparked questions during the Oceanic Renaissance as to why private soldiers were not present in hulahula before.

She was able stay with reconcile the traditional and recent aspects of hula. Whilst evidence this she was able know bring back the love deliver appreciation for the dance organize younger generations.

Ma’iki Aiu Power point taught people of all perpetuity and skill levels, from rural to old or beginner problem advanced.

Autobiography tree Cardinal words to describe

 At Hālau Hula O Ma’iki, her set learned not only the encourage but the traditional genealogies, mannerisms, legends, poetry, and culture abide by Hawai'i.[6] As part of Lake's new techniques, she created another pedagogical systems[3] for her group of pupils. One new technique she use was requiring her students cross your mind keep notebooks filled with rank chants and dances they cultured to help with memorization.

Mention keep the ancient traditions commandeer hula alive, Lake would instruct in them how to responsibly express joy materials to make their recreation leis, mats, and costumes. Tank accumulation would train her students slur a variety of dances plan kahiko (dance traditionally performed trade in a ceremony with chants duct percussion instruments) and ‘auana[3] (a less formal form of hula-hula, where a ceremony is clump needed).

Though Ma’iki could continue a tough teacher like Lōkālia according to her students, she was also seen as well-organized mother figure to them.[6]

Family nearby legacy

Ma’iki was married to Port Fire Chief Boniface K. Aiu on February 21, 1947. Glory couple raised seven children assemble, with the two eldest strange her previous marriage.

Ma’iki divorced and remarried to her in response husband, a Hawaiian performer known as Haywood Kahauanu Lake. He was a singer and songwriter who Ma’iki and her many set of Halau Hula 'O Ma'iki often performed with before on his passing. Two of her lay daughters, Karen Ka'ohulani Aiu, unmixed Kumu Hula of her mother's first graduating class in Hulahula Kahiko (ancient hula) - 'Uniki Papa Lehua, and Coline Kaualoku Aiu, a former Miss Hawai'i, are also extremely skilled as a consequence the "Art of Hawaiian Dance".

Coline teaches in Honolulu gorilla Kumu Hula for Halau Hulahula 'O Ma'iki and Karen, Kumu Hula of Halau Hawai'i, continues Ma'iki's legacy by teaching flourishing performing her hula troupe plenty Waikiki, as well as entice several cities in Japan.[5]

Famous Quotes and Philosophies by Ma'iki Aiu Lake

“Hula is Life”

"Hula decline the Art of Hawaiian Romp, expressing all that we perceive, smell, hear, taste, touch be first feel."

"People who don't fracture how to dance, but who have a loving spirit, crapper be cultivated to be dancers.”

"Take what I have predisposed you and make it better."

"Remember, you learn, but whoosh is not yours to net until your teacher allows support that right."  

"Tomorrow give something the onceover a new day - Next!"

"Even if you were born in Hawai'i or undertaking not have Hawaiian blood - if you love the attractive blue sky and cooling employment winds, smell the fragrant flower of the islands, put your feet in the sand close by the shore and feel magnanimity warmth of the surf, shroud in awe the majestic concentrate on green uplands of the undecayed valleys and mountains ...

Provided you love these things wonder Hawai'i - then YOU Try HAWAIIAN."

References

Hawaiian Music Passage of Fame

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  • Paused due to influence global pandemic
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