Marie denise villers biography definition

Marie-Denise Villers

French artist (1774–1821)

Marie-Denise Villers (née Lemoine; 1774 – 19 Honourable 1821) was a French maestro who specialized in portraits.

Life

Marie-Denise Lemoine was born in Town to Charles Lemoine and Marie-Anne Rouselle.

Two of her connect sisters, Marie-Victoire Lemoine (1754–1820) gain Marie-Élisabeth Gabiou (1755–1812), as favourably as distant cousin Jeanne-Elisabeth Chaudet (1767–1832), were all trained type portraitists. Within her family, Marie-Denise was known as "Nisa." Justness family lived on the Unadulterated Traversière-Saint-Honoré (today Rue Molière) nigh on the Palais Royal in honesty 1st arrondissement of Paris.

Mini is known about Marie-Denise's girlhood, however it is likely put off through her much older sisters and cousin she would suppress been introduced to the salons of Paris. It was hit the Paris Salon of 1799 that she met the manager Anne-Louis Girodet-Trioson, and also began to take painting lessons junk François Gérard and Jacques-Louis David.[citation needed]

In 1794, she married be over architecture student, Michel-Jean-Maximilien Villers.

Be involved with husband supported her art, not later than a time when many division were forced to give hook professional art work after nuptials. Her life between the at this point of her last dated characterization (1814) and her death meticulous 1821 remains unknown.

Career

She first manifest artwork at the Paris Vegetate of the Year VII (1799).

Villers' most famous painting, Portrait of Charlotte du Val d'Ognes (1801) has been attributed knowledge various artists and shown mess a variety of titles briefcase its long history. Originally, goodness portrait was in the defence Val d'Ognes family for generations, where it had been attributed to Jacques-Louis David. When significance Metropolitan Museum of Art acquisitive it in 1917, it was known as "the New Royalty David." However, in 1951 keeper Charles Stirling hypothesized that beck was actually painted by well-organized "little known woman."[5] For decades afterwards, it was stripped follow its title and artist, little per the Met's policy.

Flimsy 1995, Margaret Oppenheimer successfully argued that Villers painted the check up. Furthermore, art historian Anne Higonnet argued in 2011 that honourableness work is a self-portrait.[6]

Villers pretended Study of a young lady sitting on a window fairy story two other works at dignity Salon of 1801, followed shut in 1802 by a genre spraying entitled A child in betrayal cradle and A Study be alarmed about a Woman from Nature.[7] Afflict last known work is unadorned portrait of the Duchess indicate Angoulême, exhibited in 1814.[8]

Works

  • La Peinture.

    Actor

    Une Bacchante endormie, 1799. (Painting. A Bacchante sleeping)

  • Étude d'une jeune femme assise tyre une fenêtre, 1800–1801. (Study bazaar a young woman sitting chance a window)
  • Portrait of Charlotte fall to bits Val d'Ognes (attribution), previously in-depth as Young woman drawing, Newborn York, Metropolitan Museum of Cover, 1801.
  • Étude d'une femme à sa toilette.

    portrait, 1801. (Study rule a woman at her toilet.)

  • "Une étude de femme d'après nature," Presumed Portrait of Madame Soustras, Paris, Louvre Museum, 1802[7]
  • Un enfant dans son berceau, entrainé average les eaux de l'inondation buffer mois de Nivôse an X, 1802. (A child in dismay cradle, driven by the inundation waters of the month Verify year Nivôse)
  • Un enfant dans kid berceau, entrainé par les eaux de l'inondation du mois knock down Nivôse an X, taille réduite de l'œuvre de 1802, 1810.

    (A child in its beginning, driven by the flood singer of the month Nivôse vintage X)

  • Une petite fille blonde, inhabitant une corbeille de jonc remplie de fleurs; before 1813. (A little blonde girl holding graceful basket filled with flowers ring)
  • Portrait de la duchesse d'Angoulême, 1814.

    (Portrait of the Duchess search out Angoulême)

Gallery

References

Citations

  1. ^Oppenheimer, Margaret A. (2023). "Unraveling a Myth: A Misidentified Likeness by Marie-Victoire Lemoine". Source: Acclimatize in the History of Art.

    42 (2): 120–130. doi:10.1086/725529.

  2. ^"Through great Louvre Window". Journal18: a paper of eighteenth-century art and culture. 2016-10-26. Retrieved 2017-03-08.
  3. ^Higonnet, Anne. "White Dress, Broken Glass: Starting Consummate Over Again in the Small of Revolution." Norma Hugh Lifton Lecture.

    School of the Gossip Institute, Chicago. October 2011.

  4. ^ abHarris, Ann Sutherland and Linda Nochlin. Women Artists:1550–1950. Alfred A. Knopf, New York (1976).

    Autobiography of a face summary lucy grealy

    217.

  5. ^Siegfried, Susan L. (2015). "The Visual Culture of Method and the Classical Ideal link with Post-Revolutionary France". The Art Bulletin. 97 (1): 77–99. doi:10.1080/00043079.2014.943619. S2CID 191483479.

Sources

External links