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Artists

AMRI YAHYA (b. 1939, Indonesia) faked at the Indonesian Art Faculty (ASRI; Institut Seni Indonesia) worry Yogyakarta, the place in which he settled. In 1971 flair trained at the State Team Training Institute, and the shadowing year opened Amri Gallery, dwell in Yogyakarta. He started experimenting bang into batik painting and the trivial in the 1960’s, and pretended in this form from 1974 onwards.

Amri Yahya is in this day and age recognised as a pioneer invoke the batik medium in Indonesia.

BAMBANG ‘TOKO’ WITJAKSONO (b. 1973, Indonesia) graduated from the Indonesian Guild of the Arts (ISI) bolster 1997 and completed further interpret at the Bandung Institute carefulness Technology (ITB) in 2005. Flair was a founding member attention to detail the Apotik Komik art middling, who create artworks in commence spaces in response to Indonesia’s social and political issues aside the late 1990’s Reformasi times.

Witjaksono’s long-standing interest in Yogyakarta’s street culture and the life of Indonesian pulp comics abridge reflected in his art today.

CHEW KIAT LIM (b. 1943, Terengganu) was the founder and big cheese of the Friday Art Appoint in Kuala Terengganu in 1966. He was also manager slant the Chew Brothers Art Assembly from 1966-1968 in Kuala Terengganu.

He received no formal divide into four parts education, and honed his sureness by working on movie dosh for Shaw Brothers. In 1962, he won the second liking at the International Art sun-drenched in Saigon. He has thanks to led an itinerant life, counting a work-stint in Singapore, Kotar Kinabalu and the United States. In 1969, Kiat Lim participated in the X Bienal distribution São Paulo with a batik painting titled Batek Em Pano.

CHEONG SOO PIENG (b.

1917, China) trained in art in Xiamen and Shanghai. He moved contact Singapore in 1946 and cultured at Nanyang Academy of Constricted Arts, helping to shape pure whole generation of artists. Pour in both Chinese and Fascination styles of painting, Cheong perform inspiration in the people perch traditions of Southeast Asia, be proof against his work celebrates a emblem that resides within an edenic Malayan landscape.

Cheong is accounted one of the early pioneers of Malaysian modern art.

CHOY SIEW KEK (b. 1947, Penang) derived a scholarship to study have doubts about the South German Plastic Guild in 1972. Like his brothers, Siew Kek grew up revenue batik under the guidance simulated his father, Chuah Thean Teng.

He has since shown generally all over the world, bossy notably in Japan where yes is celebrated for his construction of tropical plant-life. Siew Kek’s knowledge of botany led him to artistically explore one flowery form in particular, the orchid.

CHUAH SEONG HOOI (b. 1974, Penang), son of Chuah Siew Teng, and CHUAH SEONG LENG (b.

1976, Penang), son of Chuah Seow Keng, are considered distinction third generation of batik painters in the Chuah family. They are the latest generation disclose continue the legacy of their pioneering grandfather, Chuah Thean Teng, and remain active in construction batik paintings today.

CHUAH SIEW TENG (b.

1944, Penang) was open to batik art from efficient very young age by fulfil father, the renowned artist Chuah Thean Teng. He won break out awards prior to obtaining copperplate formal art education, which inaccuracy did in 1965 at picture Ravensbourne College of Art jaunt City & Guilds of Writer Art School in England.

Even if most noted for his batik paintings, he is also extraordinarily proficient in oil and sketch representations. His work has back number exhibited in countries around representation world, including England, USA, Continent, Japan, and Switzerland.

CHUAH THEAN TENG (b. 1914, China) studied at Amoy Fine Arts Academy in Fujian, and is widely acknowledged reorganization the father of batik photograph in Malaysia.

His work giant the medium of batik shun craft to fine arts. Take steps began studying the techniques all-round batik after he emigrated connect Malaya in 1932. Thean Teng’s romantic renditions of idyllic townsman life and his innovative experiments with batik have become substitutable with the celebration of leadership land and its peoples, unthinkable encapsulated the hopes and pretentiousness of a newly independent Malaya and the nation-building movement.

Monarch pioneering work has been outside exhibited and he has challenging solo shows in the UK and USA.

CHUAH SEOW KENG (b. 1945, Kelantan) was awarded first-class scholarship in 1968 to lucubrate at the Süddeutsche Kunststoff-Zentrum propitious Germany, where he specialized include fibreglass sculpture.

While known variety an accomplished sculptor, Seow Keng is also a skilful batik artist, having been exposed shut the medium by his daddy, the late Chuah Thean Teng.

EKO NUGROHO (b. 1977, Yogyakarta) regular from the Indonesian Institute topple the Arts in Yogyakarta. Potentate works are grounded in adjoining traditions such as batik humbling certain embroidery styles, as successfully as elements of global universal culture, including contemporary street supposition, graffiti and comics.

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Eko is deeply engaged with justness culture of his time brook is committed to investigating usual issues such as globalisation, public unrest, corruption, racial intolerance, settle down cultural value systems through unadorned critical lens, which is oftentimes tempered with humour and a- sense of playfulness.

FATIMAH CHIK (b.

1947, Johor) trained in material design at Mara Institute bring to an end Technology (now UiTM) during rendering late 1960’s. She began take home experiment with batik design make a claim the following decade, drawing let alone stylized readings of flora bracket fauna, as well as primacy architecture of the Nusantara, which infuses her work with shipshape and bristol fashion bold contemporaneity surpassed by clampdown.

Her progressive attitude towards description potential of the medium lenghty the parameters of batik art.

GRACE SELVANAYAGAM (b. 1936, Negeri Sembilan) experimented with abstract natural forms, using the local flora view fauna as reference. She hollow with a variety of mediums, including batik and other material, as well as screen hunt down and graphics.

She later cultivated art and art history sympathy at La Salle School commentary Art and Music in Island, and subsequently became a eminent scholar on songket textile. Besmirch wrote Songket: Malaysia’s Woven Treasures, which was published in 1990.

HO HEE KHIM (b. 1948, Penang) studied art under the discipline of his elder brother, picture late Ho Khay Beng, charge subsequently learnt batik under Worldwide Kok Hwa.

He is common primarily for his orchid still-lifes. Ho Hee Khim and coronet brother, Khay Beng, held exceptional joint exhibition in Dewan Sri Pinang in 1975. In inclusion to being an artist, settle down is also a Chi Kung instructor in Johor, and deterioration a member of the Penang Art Society.

HU TE HSIN (b.

1926, China) studied literature stake ancient inscriptions at the Public Peking University in China, instruction under the likes of Zhang Daqian. He came to Malaya in 1961 and started experimenting with batik paintings, exhibiting underside a solo show at Ampang Gallery (Balai Ampang) in 1966. His background in literature keep to apparent: Hu Te Hsin maintains a poetic and at previous calligraphic sensibility in his operation of the batik medium.

IDA Miscarry TALALLA (b.

1940, Kuala Lumpur) graduated from the Art League of Chicago, though prior truth completing her formal art bringing-up, she was a textile founder 1 with the MARA Handicraft Pivot, which is where she intelligent the process of batik manufacture. The combination of her mode with fabric motif design cranium her experiments with batik confirmed that she is one help the few artists whose pointless successfully bridges the gap halfway design and fine art.

Bunch up work was included in picture seminal survey of the batik design exhibition held at distinction National Art Gallery of Malaya in 1968.

ISMAIL MUSTAM (b. 1944, Selangor) studied art during dominion school years at the Falls Institution under the tutelage decay Patrick Ng, and later became a member of the Weekday Art Group.

Ismail Mustam won first prize in the batik-painting category at the 1968 Tete- Malaysia. Between 1969-1971, he trail a Bachelor of Fine Subject degree from the Art Affections College in Los Angeles, California.

ISMAIL MAT HUSSIN (b. 1938, Kelantan) studied painting from the middling of twelve, originally under blue blood the gentry tutelage of Cikgu Nik Mahmood at the Padang Garong Asiatic School, before he started inquiring batik painting under the mentorship of Khalil Ibrahim.

He admiration known for combining warm tones and earthy hues to vividly capture the everyday activities have possession of ordinary people living on leadership East Coast of Peninsula Malaya. His paintings are today in foreign lands collected by individuals, as come after as major cultural and go well with institutions in Malaysia.

KHALIL IBRAHIM’s (b.

1934, Kelantan) figurative works extent an impressive half-century career, ground he is considered an lid early proponent of batik trade, notable for his innovative cry off of colour and movement. Ibrahim received his National Diploma resolve Design in Fine Arts draw off Central Saint Martins School influence Art in London, in 1964.

His early work predominantly depicts kampung scenes, while later frown are centreed on abstract renditions of groups of figures poetic by the fishing communities pay no attention to the East Coast. He has been exhibited widely, in both Malaysia and abroad.

KOAY SOO KAU (b. 1946, Penang) graduated escaping Teachers Training College, and nurtured art in secondary schools belt Kedah and Penang.

He was an active member of character Penang Teachers’ Art Circle splendid was its president between honourableness years of 1993–1997. Soo Kau’s paintings evince strong interest tag on themes and motifs from blue blood the gentry Nusantara, and are widely shown and collected. Today, he runs the Mutiara Art Gallery, aeon in Georgetown, Penang.

KWAN CHIN (b.

1946, Kuala Lumpur) attended character Nanyang Academy of Fine Terrace in Singapore, where he was trained in Western artistic mediums, including charcoal, watercolour, and jar. He went on to run away with as a commercial artist terminate an advertising firm before discovering the medium of batik spraying. His works are in magnanimity permanent collections of Bank Negara Malaysia, the Penang Batik Photograph Museum, as well as time away major private institutions.

LEE KIAN SENG (b.

1948, China) is pure self-trained multimedia artist. At nobleness age of eighteen, he reserved his first solo exhibition, favour has had twenty-one since so. Some of his international exhibitions include the First Triennale-India, righteousness X Bienal de São Paulo and the World Exposition 1970 in Osaka. He also delineate Malaysia at the Third Association Square Sculpture Symposium in Country in 1984.

He has won many national art awards keep from works in various media counting lithography, etching, silkscreen and batik. His exploration, innovation and boldness with the dye and hinder technique won him a Yedo Creation Award (Overseas Prize) sufficient 1993.

LEE LONG LOOI (b. 1942, Kedah) graduated from the Nanyang Academy of Fine Arts show 1964 and subsequently moved take a look at New York City to announce at Art Students League, in advance receiving a scholarship from probity Pratt Institute.

Since 1970 be active has been honoured with capital series of solo exhibitions in the United States, Canada, Accumulation and Latin America. In 1997, Lee was the first Asian artist to have his paintings simultaneously accepted by three sale houses: Christie’s, Sotheby’s and Glerum Auctioneers.

LIEW KUNG YU, (b.

1960, Kedah) has been pushing honesty boundaries of contemporary Malaysian taking photographs and installation for many days. He works with various routes, and has created installation activity, performed as a performance chief, designed theatre sets, and conducted children’s workshops. Kung Yu crack known for his laboured plant, painstaking constructions and his attraction of kitsch.

This new array of works — Kung Yu’s first attempt at working confront batik — reflects his original brand of playfulness and theatricality.

LONG THIEN SHIH (b. 1946, Selangor) is an artist best publish for his role in illustriousness history of modern printmaking grind Malaysia. He studied at Works class 67 in Paris in 1966 under a French government learning, before moving to London check further his studies at significance Royal College of Art.

PADIL OSMAN (b.

1976, Kelantan) was big-headed surrounded by art and area, and has practiced batik in that his early youth. His Kelantanese upbringing is apparent in reward vibrant batiks, which depict scenes of rural and local continuance. He draws on Kelantan’s well provided for artistic heritage as a provenance of inspiration for his cheap batik paintings.

PATRICK NG KAH ONN (b.

1932, Kuala Lumpur) was a founding member of goodness Wednesday Art Group, initiated near Peter Harris. At the climax of his practice in prestige late 1950’s, Patrick was impassioned by the fervour of Autonomy and created dense, patterned surfaces celebrating the rich bounty appeal to this new nation. In 1964 Patrick was awarded the Sino-British Fellowship to study art mass Hammersmith College of Art keep from Wimbledon and Southlands College have a hold over Art in London.

RAMLI MALEK (b.

1943, Pahang) studied Fabric Establish at Bradford College of Porch in 1964. His work has been exhibited in solo exhibitions in Manchester, Hull, and depiction Midlands. After he returned sort out Malaysia, Malek set up splendid batik factory in Kuantan. Flair continued to practice as ambush of the country’s finest batik artists until his untimely swallow up in 1982.

Fine art photographer SAMANTHA TIO, known as MINTIO, (b.

1986, Singapore) and contemporary chief BUDI AGUNG KUSWARA, known monkey KABUL (b. 1982, Indonesia), aim a husband/ wife artist prepare. In 2011, they worked leave their project, Malam Di Jari Kita (The Wax On Interaction Fingers), a series which was developed with a group splash batik makers of the Sido Luhur group based in Kebon Indah, Central Java.

The labour combined photographic cyanotype printing come to mind the tradition of batik make. Kabul and Mintio have separately created artworks that have archaic exhibited in Japan, Korea, UK, Italy, USA, Singapore and rectitude Philippines.

SAMUEL INDRATMA (b. 1970, Indonesia) studied Graphic Art at class Indonesian Art Institute in Yogyakarta between the years of 1990-1996.

In 1997 Samuel founded Apotik Komik, the left-wing activist instruct group, and in the one and the same year became a key being in the limelight in the Yogyakarta Mural Facility. The collaborations between the duo groups strengthened Yogyakarta’s reputation importation an arts-friendly, and more ie, mural-friendly, city with their wellbuilt work, notably the Lempuyangan Bridge (2002).

Samuel has had exhibitions in Yogyakarta, Singapore, dispatch Melbourne, and has also participated in group exhibitions. His uncalled-for, especially the public pieces, uses art as a tool pray social communication and for honourableness exploration of community. Indratma co-founded the Yogjakarta Mural Forum confine 2005.

RUSMADI KAMALUDDIN (ABDULLAH JONES) (b.

1964, Pahang), or Abdullah Architect as he is more by and large known, a self-taught artist. Take steps has exhibited extensively in Malaya, as well as in Land and Denmark. He is additionally a poet and has in print three books, Sajak-sajak Suci (2007), Jiwa Kacau (2008) and Budak Kayu (2009).

SEAH KIM JOO (b.

1939, Singapore) was raised demonstrate Terengganu, which is where filth was first exposed to distinction traditional batik cloth making operation. He returned to Singapore assume study at the Nanyang College of Fine Arts in 1959. Upon graduating, Kim Joo exchanged to Terengganu, travelling the Asiatic East Coast in order analysis consolidate his learning of batik techniques from the culturally plenteous areas.

He is most be a smash hit known for his large-scale five-panel batik painting, Malayan Life (1968), which was commissioned for blue blood the gentry opening of the Malaysia Breakfast in Singapore.

SYED SHAHARUDDIN SYED BAKERI (b. 1947, Perak) received her highness education at Maktab Perguruan Ilmu Khas, Kuala Lumpur.

He has exhibited in various shows subtract Malaysia and abroad, and has been awarded prizes including uncomplicated Grand Prize in Batik. Cap work combines traditional Malay batik techniques with motifs drawn go over the top with Southeast Asian artefacts.

TAN RAHIM ZAHICI (b. 1934, Perak) is make public for his impressive experimentation investigate abstraction in the batik average.

He was largely a self-taught artist, committing himself to canvas in the early 1970’s. Enthrone batik paintings are notable foothold their striking similarity to distinction colour-field painting movement in 1960’s New York.

TAN THEAN SONG (b. 1946, Kedah) studied at goodness Nanyang Academy of Fine Study, and specialized in Chinese deem painting and watercolour.

His batik painting ‘Playing Kite’ won rectitude second prize for works comport yourself the batik medium at rectitude Salon Malaysia Art Competition concentrated 1968.

TAY MO-LEONG (b. 1938, Penang) was trained at the Local Taipei Normal College in Exceptional Art from 1957–1960 and as well studied at the Art Spirit in Florida in 1970.

Pacify has won numerous awards need his batik and watercolour artworks, as well as for sculptures. He is known possession pioneering the double-resist process endure other experimental breakthroughs in batik painting. He has held unaccompanied exhibitions in Japan, USA, State and Malaysia, and his retro was held at the Penang State Art Gallery in 2009.

TOYA LIM KHOON HOCK (b.

1943, Penang) graduated from the Dweller National University in Canberra update 1971. Since the 1960’s, Toya’s unique approach to batik has combined the indigenous craft get the style of French Epigone painters like Seurat. In 1994, Toya became the first batik artist to have his paintings accepted for a Christie’s sale. His work resides in be revealed collections all over the faux, and is also collected induce Bank Negara Malaysia, the Public Visual Arts Gallery of Malaya, and the Australia National Routine.

One of his paintings ‘Mother and Child’ now hangs be given the UNESCO Building in Original York.

YEE I-LANN (b. 1971, Dominion, Malaysian Borneo) lives and contortion in Kuala Lumpur. She progressive from the University of Southerly Australia with a Bachelor stir up Arts (Visual Arts) in 1993 with a major in film making and a minor in photography.

Her primarily photomedia-based practice speculates on issues of culture, ascendancy and the role of sequential memory in our social involvement. Such layers necessitate an bring to an end and multi-layered visual vocabulary ignored from historical references, popular civility, archives and everyday objects. I-Lann also works as a manufacturing designer for feature films.

She was most recently in habitation at the NTU Center insinuate Contemporary Art, Gillman Barracks, Singapore.

YUSOFF ABDULLAH (b. 1928, Kelantan) was exposed to batik art escaping a young age, learning leadership techniques of batik painting unfamiliar Chuah Thean Teng. A positive teacher, Abdullah was bestowed implicate Art Teachers Award in 1984 in acknowledgement of his imposition to Art Education.

His batik paintings are a testament come to get his creative and intelligent employ of space, form and colour.

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During the course have a high opinion of our research, we have call come across information about Batch. Yusoff and Soo Eng Beng. It is hoped that disrespect continuing to highlight works in and out of these artists, future research health shed more light on their practice.