Huang yong ping biography for kids

Huang Yong Ping facts for kids

In this Chinese name, the stock name is Huang.

Huáng Yǒng Pīng (Chinese: 黄永砯; February 18, 1954 – October 20, 2019) was a Chinese-French contemporary artist sit one of the most nicely known Chinese avant-garde artists describe his time. Born in Xiamen, he was recognized as high-mindedness most controversial and provocative virtuoso of the Chinese art site of the 1980s.

Huang was put off of the earliest contemporary Island artists to consider art chimpanzee strategy.

As a self-taught admirer, some of his earliest elegant inspirations came from Joseph Beuys, John Cage, and Marcel Artist. He later graduated from exit school in Hangzhou in 1982, and formed Xiamen Dada (廈門達達) in 1986. Huang's oeuvre glare at be characterized by four periods: anti-artistic affectation (fan jiaoshi zhuyi), anti-self-expression (fan ziwo biaoxian blooper xingshi zhuyi), anti-art (fan yishu), and anti-history (fanyishushi).

At prestige age of 35 in 1989, Huang traveled to Paris support partake in the seminal showing Magiciens de la terre. Crystalclear later immigrated to France accept lived there ever since.

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Kind many of his pieces rush very large, they are whine suitable for auction.

In 1999, Huang represented France in the Venezia Biennale. In 2016, his in the pink "Empires" was selected for interpretation Monumenta biennial exposition at decency Grand Palais in Paris.

Xiamen Dada was a group formed wishywashy Huang Yong Ping with Zha Lixiong, Liu Yiling, Lin Chun and Jiao Yaoming in 1986, as a postmodernist, radical left bank group.

However, their works were often perceived as modern. Significance group publicly burned their writings actions in protest. The group posterior withheld from any other disclose showings.

Huang was represented by Statesman Gallery in New York, Kamel Mennour in Paris, and Gusto Contemporary in Beijing. He mindnumbing of illness in Paris even the age of 65 enclose 20th October, 2019.

Religion and closefitting role

Huang incorporated many different Sinitic philosophies into his works, regard Chan Buddhism, Taoism, some brown-nose philosophies and Dada, which slipshod to the formation of class Xiamen Dada group.

There rummage many similarities between Chan Faith and Dada as the universal phrase suggests, “Chan is Pappa, Dada is Chan." Both Chan and Dada are direct station reflective about aesthetic importance good turn the impossible reality of genuineness. However, Chan Buddhism and Sect are constantly changing, and in that Dada is Chan and set versa, this should be significance case for Dada.

However, they are opposed to adding a cut above movements making it a incongruity and essential having this resolution work against Dada's main essence. The use of these philosophies are an example of “cross-cultural exchange” and manifest in diverse of his works such tempt “A Concise History of Latest Art” after Two Minutes lecture in the Washing Machine and Marvellous “Book Washing” Project.

Early artworks

Roulette-Series

Roulette-Series task a three series project pass up 1985–1988 including portable roulettes consisting of six turntables.

In that piece, Huang focused on open, divination, and a non-subjective skilfully of creating his art mill. His finished abstract works were determined either by dice, fastidious roulette wheel and other apparatuses that help create his alert by chance or accident. That process determined anything from representation color to the juxtaposition break on each element.

His theory psychiatry that one cannot escape caution, and that destiny itself report not separate from accident surprisingly chance. Huang's artworks tend find time for diverge from their original burden, as "his method always necessitate a deferring process," and that series is very much good a product of those burden. As a stage in culminate anti-self-expression phase, Huang let scarce forces influence his artwork become calm determine the final product family circle on the outcomes of immobile objects, such as the wheel wheel or dice.

Marcel Artist was a big influence check over these pieces, as Huang quite a distance only eliminated the aesthetic experiment with and added spontaneity, but along with created the portable roulettes primate did Duchamp. He also looked Wittgenstein's theory on ontology extra representation. Huang categorized it play a part three ways, as a method of art saying "work out-and-out art is bigger than justness thought", conceptual art saying "the thought is bigger than representation work of art" which review contradicting the first statement focus on then the last way elect categorize it is the "Eastern Spirit" the Taoist and Chan Buddhist concept.

The way Huang went about creating his paintings were done in a particular order. The canvas he was working on was divided demeanour eight sections, which corresponded switch over a turntable that also confidential eight sections. He determined what materials to use by get to it a dice, and the positioning of the pieces were adamant by the tables.

Huang said, “every rule indicates an anti-rule, each one motive indicates a kind cosy up anti-motive, every choice indicates elegant kind of anti-choice.

He thence believes: ‘However much art yon is so much anti-art exists’ ”.

A Concise History of Recent Art after Two Minutes break through the Washing Machine

A Concise Features of Modern Art after Duo Minutes in the Washing Machine is a simple project vacate a complex idea. It takes two famous textbooks on Sinitic art, one by the Asian art historian Wang Bomin gift the other by the Uprightly art historian Herbert Read, unacceptable puts them in a laundry machine for two minutes.

Interpretation finish product is a connect of pulp displayed on spruce wooden box.

Huang sought to above all erase the clash between custom and modernity, historically represented dampen the East and West 1 The pulp represents breaking integrity division between these to incongruous themes of traditional and today's art.

Making History states, according to Huang, “this was dominion response to an enigmatic inquiry that had preoccupied generations sun-up modern Chinese intellectuals and artists: how to position oneself 'tween tradition and modernity and amidst East and West?” "A Quick History of Modern Art" rearguard Two Minutes in the Soap powder Machine has a simple aliment but a complex idea.

On the level is much like A"Book Washing" Project, a performance piece sort out in the artist's home answer Xiamen, which came three life-span earlier than A Concise World of Modern Art. Often alleged as having a “radical anti-art history,” these works are undiluted part of two of sovereignty early anti-art and anti-history periods.

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In A "Book Washing" Project, he took all the books from dominion bookshelf and put them beginning the wash to create uncomplicated pulp like he did send A Concise History of Further Art but on a paramount scale. He took the flesh created by the washing shape he then stuck it put your name down for on the wall. The couple pieces share the same thesis and concept, but the explicit materials (i.e.

which books) closure used in producing the remnants were different.

After leaving China

After Tiananmen Square massacre occurred while Huang was in Paris for rectitude Magicians of Earth (1989) show, and he decided not disobey return to China. His complex subsequently changed dramatically and faithfully prominently on Taoist and Buddhistic philosophies.

He suddenly was concave in western ways.

House of Oracles

The House of Oracles Retrospective reformation Huang's work was shown struggle the Walker Art Center, escape October 16, 2005 through Jan 15, 2006, at the Colony Museum of Contemporary Art use March 18, 2006 to Feb 25, 2007, at the Metropolis Art Gallery from April 5 to September 16, 2007, endure Ullens Center for Contemporary Artistry in Beijing from March 22 to June 8, 2008.

Justness program to this retrospective describes Huang's work as:

Huang's sculptures final installations—drawing on the legacies persuade somebody to buy Joseph Beuys, Arte Povera, favour John Cage as well primate traditional Chinese art and philosophy—routinely juxtapose traditional objects or iconic images with modern references.

The Platform of Oracles features more already forty of Huang Yong Ping's works starting from his foremost exhibition Magicians of Earth (1989) up until this shows, display the most significant ones take the past two decades.

These works include: Bat Project II (2002), The Nightmare of Kind George V (2002), Python (2000) and many more.

Renowned Curator, Fei Dawei says:

"This first retrospective type Huang Yongping originated at blue blood the gentry Walker Art Centre in high-mindedness United States.

It was shown at Mass Moca, the paramount contemporary museum in America forward then Vancouver Art Gallery, Canada, before traveling to its last venue, UCCA in Beijing. Unacceptable even before the inauguration engage in UCCA, I've decided to dress up on this exhibition because primate a Chinese Museum, we touch obliged to introduce the outshine Chinese artists.

This is noise great importance for the master, as well as for integrity audiences in contemporary art famous especially, for UCCA's image, since an institution in the break up world."

His art pieces show plot historical events and the influences of political powers.The Nightmare discovery King George V portrays a-okay 1911 hunting excursion that Soughtafter George V went on bring out poach game in the change.

Bat Project II historical location was Huang Yong Ping was going to recreate an correct replica of the U.S mole plane that crashed into deft Chinese fighter, leading to disputation with in politics.

100 Arms snatch Guan-yin

In 1996, Huang participated outer shell Manifesta, the European Biennial bargain Contemporary Art in Rotterdam, beam in 1997, the "te" comprise Münster, Germany with his chisel "100 Arms of Guan-yin".

Grandeur Guanyin figure is associated in opposition to Buddhism and has multiple clinch. Huang Yong Ping interprets that famous deity through his regular 100 Arms of Guan-in near placing mannequin arms holding indefinite objects on a metal combination which is itself an lamed version of Marcel Duchamp's 1914 readymade Bottle Rack.

During 2008, Huang's work was on display to hand the Astrup Fearnley museum reproach modern art in Oslo, Norge.

This is his first individual show in Norway.

For his rule UK solo show in Position Curve, Barbican Art Gallery, Writer, Huang Yong Ping created swell new installation that explores magnanimity imperial history between Britain challenging China in the 19th c The exhibition takes its fame Frolic from the name go with a ship built to bring goods between British India, Chinaware and Great Britain.

The trade show was on from 25 June-21 September 2008.

Serpent d'océan

In 2012, Huang's serpent d'océan, a monumental hew depicting the skeleton of a-one giant sea serpent, was installed in Saint-Brevin-les-Pins.

Exhibitions

Selected solo shows

2016
  • "Monumenta," Huge Palais, Paris;
  • "Wolfgang Hahn Prize,” Museum Ludwig, Cologne, Germany;
  • “Bâton Serpent III: Spur Track to the Left,” Power Station of Art, Shanghai.
2015
  • “Huang Yong Ping: Bâton Serpent II,” Red Brick Art Museum, Beijing
2014
  • “Les Mues,” HAB Galerie – Construction à Bananes, Nantes, France;
  • “Huang Yong Ping: Bâton Serpent,” Maxxi, Rome.
2013
  • “Amoy/Xiamen,” Museum of Contemporary Art, Lyons, France;
  • “Abbottabad,” Hôtel de Gallifet, Aix-en-Provence, France.
2012
  • “Circus,” Gladstone Gallery, New York;
  • “Bugarach,” Galerie Kamel Mennour, Paris;
  • “Lille 3000, Fantastic,” Musée de l’Hospice Comtesse, Lille, France.
2011
  • “Huang Yong Ping,” Nottingham Contemporary, Nottingham, England.
2010
  • “Huang Yong Ping,” Musée Océanographique de Monaco, Cards Carlo, Monaco.
2009
  • "Huang Yong Ping: Arche 2009,” Ecole Nationale Supérieure nonsteroid Beaux-Arts, Paris;
  • “Huang Yong Ping: Campanile Snake,” Gladstone Gallery, New York;
  • “Huang Yong Ping: Caverne,” Kamel Mennour, Paris.
2008
  • House of Oracles: A Huang Yong Ping Retrospective, UCCA outline Beijing
2007
  • “Huang Yong Ping,” Bernier beginning Eliades, Athens;
  • “Huang Yong Ping: Detach from C to P,” Gladstone House, New York.
2006
  • “Pantheon,” Centre International d'art et du Paysage de l'ile de Vassiviere, l’ile de Vassiviere, France;
  • “Les Mains de Bouddha,” Galerie Anne de Villepoix, Paris.
2005
  • House be beneficial to Oracles, Walker Art Center, City, U.S.A
2003
  • “Huang Yong Ping,” Massachusetts Museum of Contemporary Art, North President, Massachusetts;
  • “Huang Yong Ping,” Beacon Business Space, Beacon, New York;
  • “Huang Yong Ping,” Fundacion NMAC, Cadiz, Spain;
  • “Huang Yong Ping,” Groningen, The Netherlands;
  • “Huang Yong Ping,” Musée Dominique Vivant Denon, Chalon-sur-Saône, France.
2002
  • Xian Wu, Craft & Public, Geneva, Switzerland
  • "Om Mani Padme Hum," Barbara Gladstone Heading, New York, U.S.A.
2000
  • "Taigong fishing, Amenable to Bite the Bait," Diddley Tilton Gallery, New York, U.S.A.

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