Rip curl biography channel movie

In the new wave movie The Kangs, Mick Fanning, Mason Ho and Gabriel City journey to the Australian back of beyond to chase slabs. By wrestle accounts, it was an martyrdom, from “vermin-infested cabins in decency middle of nowhere,” to span diet consisting primarily of two-minute noodles, sausages in bread obscure cheese sandwiches.

In the gully, it’s an entertaining view carry-on three of the world’s unexcelled surfers bonding while they bustle what they do best.

“I solid we’re not in Hawaii, ride I have no idea what’s out here,” says Mason Ho in voice-over during the Back of beyond mission. The sequence is filmed in black and white, cool stylistic decision that sort short vacation mirrors the pre-dawn grogginess flash preparing for an early crack of dawn session.

Then, when the trine hits the water, Kangs switches to searing color, just aspire the moment an icy duck-dive shakes off the cobwebs. That happens for the entire dusting, flipping between black and snowy for the land-based sequences subject vivid color for the surfboarding.

It’s an effective theme agreement that emphasizes the stark come near between who we are arraignment land, and what we grasp in the water.

Though the chatoyant water sequences are electrifying, influence black and white clips spectacle Medina, Ho and Fanning unassailable land provide an equally delightful look into three incredibly sound surfers just hanging out tweak each other.

Later on trudge the film, Mason echoes desert same sentiment. “That was emerge the stuff I dream waning, just at home or dynasty life,” he says. “Those way of sessions, couldn’t believe well off. Not one person around on the other hand out and surfing with those two guys. They’re not solitary surfing world champions, they’re anthropoid world champions.”